Friday, September 28, 2007

Keturah and Lord Death



Keturah and Lord Death

Author: Martine Leavitt

This dark fairytale is nicely crafted, and is filled with interesting characters.

Keturah follows a hart into the dark forest. After spending several days lost and at the mercy of the elements, she meets up with Lord Death, who is about to claim her. Using her exceptional storytelling skills, Keturah offers Lord Death a story to gain a reprieve.

There’s such an old-fashioned feel to this tale – the haunting atmosphere, the lovely language, and the story structure, all work well together to create the feeling of a traditional high romance.

I did have difficulty falling into the story, and had several false starts, but once in, I read straight through to the end - just had to know how Keturah fairs in her challenge to Lord Death’s claim.

An insightful and thought-provoking exploration of the themes of love and death.

Thursday, September 27, 2007

Incarceron



Incarceron

Author: Catherine Fisher

An amazing, intriguing, thought-provoking story – with deeply drawn characters and a writing style that is such a pleasure to read. Thoroughly enjoyed it.

There is no escape from Incarceron. It was filled with lawbreakers, dissidents and society’s unwanted; then the doors were shut forever, creating a closed system from which none can enter and none can escape. The Experiment in prisoner rehabilitation failed quickly, with brutal warlords taking control of various sections, leaving the inhabitants to fight for grim survival. Finn has strange visions, and haunting nightmares, where he sees the stars, leading him to believe that he has been Outside. Finding a mysterious Key, he begins a quest to find the doorway that will lead him back to the Outside.

Outside, Claudia is the Warden’s daughter. Though she lives a life of prestige and wealth, she is also trapped – by the strange insistence of her society to live ‘In Era’, living in a faux-seventeenth century world ruled by Protocols of courtly manners, quaint affectations and no advanced technology. She is trapped too by an unwanted betrothal, by her role in courtly politics and intrigue, and by her strained relationship with her father. She too finds a mysterious Key, gains a communication channel with Finn, and becomes caught up in plans to help him Escape.

Through Finn and Claudia the story explores such interesting themes: the philosophy of identity; of personal journeying; of prisons and prisoner rehabilitation; of propaganda; authoritarianism; and the way love, hate, hopeless indifference and regret shape a person’s development. There is hope and tragedy and love and betrayal all blended together in this immensely readable story. Highly recommended.

Monday, September 17, 2007

What I Was



What I Was


Author: Meg Rosoff

A strange story, one that still leaves me uncomfortable, as though I missed something important and so didn’t quite ‘get’ what it was all about.

A first person narrative guides us through attendance at a gloomy, miserable boarding school, where regimented passivity and bullying are the main challenges to the day. The only escape is to a run-down cottage where a boy, living outside of society, enjoys a solitary life in the wild.

As with Rosoff’s first novel, How I Live Now, this is an intimate and poignant glimpse at one teenager’s awkward and turbulent coming of age. There’s something a little bit Catcher in the Rye here - likely it’s the dry dark humour bringing this to mind. The theme of love, of passion and yearning, is nicely tangled with confusion over identity and gender.

But in the end, there seemed little point to the Big Reveal – I was so sure the story was going somewhere very different, that I almost felt cheated with where it did go. There seemed to be little learned, and few consequences, and no exploration of the impact such a Reveal had on the main character – and I was left feeling I’d read something interesting, but with an unsatisfying resolution.

Sunday, September 16, 2007

City of Bones



City of Bones

Author: Cassandra Clare

This is the first in a planned trilogy – the series title The Mortal Instruments referring to three magical items that can grant power over life and death.

Clary Fray is a normal teenager in every way, until she realizes that she can see things that others around her cannot. As she begins her journey to reclaiming the heritage that has been denied to her, her view of the world expands to include the existence of demons, vampires, werewolves and Shadowhunters. Clary’s clueless-but-loveable friend, Simon, gets caught up in her adventures; and she meets the brooding-and-mysterious Jace, who is adored by his brother-in-all-but-name Alec; and Alec’s gorgeously-beautiful-but-tough-as-nails sister Isabelle.

It is the cast of characters that carry this first novel. Interestingly intriguing, they are worth the effort of trying to determine their place in the plot, their various motivations and simply enjoying their moments of uniqueness. And the gothic, urban, New York setting gives such a gritty realism to the fantasy elements of the story.

In the end though, the novel is let down by the unoriginality of the plot. It is so derivative of so much else – more than simply reminiscent - the worlds of Buffy, Dr Who, Harry Potter, and Star Wars, are all echoing around in there. I’m mindful that this is the first in a series, so there’s hope that Clare is using these worlds as a springboard to her own ideas in the next two books. The nod to Holly Black’s Modern Faerie Tales is nicely done, and aims for that ‘insider’ feeling for readers following two authors writing in the same urban fantasy genre.

I was too disappointed with the plot device revealed at the end of the story; it’s so cliché now, it would take a writer with extraordinary skill to make that type of plot-line fresh and believable. Unfortunately, Clare is not there yet, and it made the ending anti-climactic and wince-worthy.

Nonetheless, I will be looking forward to reading the next part, The City of Ashes, to see where Clare takes her story and these characters. I have hopes that this will be one of those series that improves enormously with each new installment, building to a trilogy seen, as a whole, as a Great Read.

Monday, September 10, 2007

The December boys


The December Boys

Author: Michael Noonan

This title is in the news big-time at the moment – made into a feature movie, it stars Daniel Radcliffe in his first non-Harry-Potter screen performance. Such an amazing choice of roles for him – this adaptation of an old Aussie novel!

The book itself was first published way back in 1963, and was Commended for the Miles Franklin Award. It’s a deeply moving story, tinged with humour and adventure, about four young orphans who have grown up in a Catholic orphanage. The boys are coming to realise that the possibility of them being chosen for adoption is starting to pass them by. They get to spend Christmas at the seaside, a treat that can’t even be diminished by their home-made, flour-sack converted, swimming costumes. At the beach they meet up with a childless couple who are planning to adopt, and the four boy’s bond of friendship is tested by their competition to be the one chosen.

This is a lovely snapshot of this time in Australian history – so many little details giving such an interesting feel to the story. The humour certainly helps to balance out the incredibly sad feeling I had for these orphan boys, so innocent of the poverty of their lives and experiences, and so full of hope and optimism for their futures. At times I found the language and style of the author quite dated, but in context this is not a major concern.

Well worth the read – a coming of age story, exploring themes of friendship, rivalry and belonging.

Thursday, September 6, 2007

Our little secret

Our little secret

Author: Allayne Webster


Edwina’s best-friend’s older sister, Anne-Marie, has been raped, and the topic of her small town’s gossip is: did she ‘ask for it’ – were her clothes too slutty, was she too flirtatious, had she been drinking at the time?

This theme of consent /ambiguous consent /non consent to sexual advances is explored with confidence and forthrightness by the author. Edwina finds herself flattered by the attention of Tom, a much older young man. Her choices are clouded by her experimentations with alcohol and drugs. She knows she said ‘no’, but she continues to see Tom and submit to his demands for sex. They eventually break up and it is some time before a kindly teacher, herself a rape survivor, suspects what has happened to Edwina and offers her support.

This is a message-driven novel. Webster juxtaposes the plight of Anne-Marie, who is silenced, doubted and unsupported, with Edwina, who is supported and encouraged to speak by her courageous teacher. The messages are clear and uncompromising. Unfortunately, this quite clinical approach to the storytelling carries over to the people in the story. They lacked depth and emotion, and seemed reduced to the message-relaying roles that the author had assigned them.

It’s a big message though, and, from any and every source, one that every girl needs to hear.

Wednesday, September 5, 2007

Here lies Arthur



Here Lies Arthur

Author: Philip Reeve

Here’s a Dark Ages Arthurian story; no magic, no high romanticism, and no chivalrous Lancelot. The story of Arthur is told through Gwyna’s voice, a young girl who is apprenticed to Myrddin. Gwyna is disguised as a boy for safety early in the story, and as the story unfolds she switches between male and female in response to changing circumstance. She becomes the ‘Lady in the Lake’ for Myrddin, and learns how easy it is to manufacture magical stories that grow with each retelling.

It is Myrddin’s role as bard to embellish the everyday tales of reality until they become mythical and majestic – and this is such a powerful theme carried right through this story. The ill-fated romance between the lovely character of Bedwyr and Arthur’s wife Gwenhwyfar, emphasizes the price of deceit and betrayal.

There’s a harsh feel to this story - life is tough, and battles are full of mud and blood and wounds and death. This Arthur is a brutal war-lord, and it is left to his bard to make his exploits presentably ‘heroic’ for the commoners.

An interesting and thoughtful reworking of the Arthurian tale.